![[Laz says]](../Images/l-red-name.gif) Boredom. You portray "boredom" as degrading, something that one feels ashamed of. I never looked at it that way. It is an interesting examination of the word.
![[Claude says]](../Images/cs-name.gif) Everyone knows boredom but nobody talks about it because we are ashamed of it. Only children have the courage to say 'I'm bored.' As soon as Nelly agrees to assist Monsieur Arnaud with the writing of his autobiography, he behaves like a little kid, even though he is highly cultured, and refined. He has found, in her, an antidote to his boredom. But what was interesting in the situation between the two of them is that again, he is seventy years old. At that age boredom becomes mortal...lethal!
![[Laz says]](../Images/l-red-name.gif) Yes, one doesn't have much time at that age.
![[Claude says]](../Images/cs-name.gif) And that is the source of his rushed quality, the precipitance of his relationship with Nelly, he's got to get it moving.
![[Laz says]](../Images/l-red-name.gif) Which made the film all the more interesting because Nelly wants to take things much slower; she's just divorced a marriage and a dozen odd jobs. She has all the time in the world to rebuild her life and find meaning and satisfaction in it, he doesn't. He wants it all fast, she wants it all slow. The struggle was very absorbing, very savory. You did a superior job conveying this.
![[Claude says]](../Images/cs-name.gif) Thank you. Yes their lives are very discordant in that way. Nelly is living a kind of uncertainty in her life; economically and emotionally. She is very doubtful and anguished about what her future life can be. Monsieur Arnaud is living exactly the opposite.
|